William Shakespeare illustrates a many-sided approach to enjoy in the misadventure Romeo and Juliet th panoptic-length demonstrating emotions that are extreme, cynical, and traditional. Romeo, Mercutio, and friar Lawrence express contrary attitudes towards bang and each characters viewpoint is influenced by his tempera manpowert. tell apart is a brutal, powerful emotion that captures individuals and propels them against their world, and at times, against themselves. Both the mordant and the created impulses of bang are recognized in Romeo and Juliet. Romeo recognizes both the biography-giving and death-dealing aspects of eff when he describes manage as A strangling gall, and a preserving sweet. (I.i.185). He to a fault presents bask as a battle: a siege that involves an keep up for with assailing eyes. She will non stay the siege of loving terms, nor reside th encounter of assailing eyes (I.i.210-211). He also states how he feels wi chiliadt Rosaline, and th at is Not mad, only bound much than a hothead is; shut up in prison, kept without my food, whipped and tormented(I.i.54-55) He is also real loving. O then, dear saint, let lips do what hands do! They pray grant thou lest confidence turn to despair.(I.v.102-103) He says this to Juliet when he wants to kiss her again, and speaks in a very passionate manner. Sin from my lips? O trespass sweetly urged! Give me my dark again (I.v.107-109). Juliet refers to a kiss as a inferno, and so Romeo replies by asking Juliet to give him his sin again. With Rosaline, my ghostly laminitis? No. I puzzle forgot that fall upon and that names woe. (II.iii.45-46) This manner that Romeo has forgotten all more or less Rosaline so quickly and has moved on to Juliet! This shows Romeos passion somewhat bull and inconsistent. Mercutio feels very cynical about savour. If dearest be rough with you, be rough with shaft, Prick love for pricking, and you beat love down. (I.iv.27-28). This basically office that one shouldnt le! t love overpower their life and to give keystone as trade good(or bad) as loves gives one. This demonstrates how Mercutio does not feel the same sort about love as Romeo does, because he deals with it in an vernal way. He also feels that dreamers often lie and that dreams dont mean more and are fickle. Begot of no burng but profitless fantasy, which is as thin substance as the air, and more vapid than the wind (I.iv.99-100). address but Ay me! pronounce but love and dove (II.i.10). Here, he is mocking Romeo of his love for Juliet by rhyming love and dove, as love means nothing to him. Friar Lawrence views love in a more traditional manner. Is Rosaline, that thou didst love so dear, so soon forsaken? Young mens love then lies not truly in their hearts, but in their eyes. (II.iii.

66-69) This means that the Friar is saying to Romeo that Romeo should not base his love on love at original sight, but instead to love truly, and to take things slowly. Be plain, good son, and homely in thy drift. Riddling apology finds but riddling shrift. (II.iii.55-56). This means that he is telling Romeo to be simple in his speech and a confusing confession will get one changeful forgiveness. He means that unless Romeo speaks clearly, he will not run across direct advice. The beggar talks very fatherly in that line. Women may fade when thithers no specialization in men.(II.iii.80) This means that women may be inconsistent when there is no body in the man,, and the friar is trying to show that Romeo should be more consistent with his love. All in all, Shakespeare exemplifies extreme, tr aditional, and cynical views of love by all the chara! cters and the quick change in mood reminds bulk that this play is about extremes; love versus hate, illumine versus dark, age versus youth, and life versus death. It seems that the characters all possess some similarity, as the friar shifts his aspect as quickly as Romeo shifts his passions. If he didnt make his decision to marry Romeo and Juliet so quickly, mayhap the two lovers would have avoided tragedy. If you want to get a full essay, order it on our website:
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