Naturalism and Symbolism in the Poem Design by Robert Frost Essay

realism and Symbolism in the Poem Design by Robert FrostThe song Design by Robert Frost is a sonnet written more or less mans relationship with nature. Frost deliberately uses the form of a sonnet, using the musical octave for a discussion and the sextuplet for top doging the fact that there is a force that controls our existence. There atomic number 18 natural characters and some degrees of irony as well as that give this poem a naturalistic feel. Frost uses the style of a sonnet in Design to present a philosophical conundrum - who controls our destiny. The octave is a single, smooth flowing sentence full of description. We are introduced to three things the narrator happened upon one day. There is a scene of unlike pictures. The color of the tweed heal--all, the white spider, and the white moth all suggest adeptice and innocence. These are the, as the speaker describes them, characters of death and blight. The octave has a twinkle tone than the sextet . Even thought the tone is lighter there distillery seems to be a tension and seriousness that flows evenly to the sextet, which seems to bring chills to the readers spine. The sextet is a series of questions that reveals a blend of emotions. The sextet brings closely an unthought change in tone. The poet is no longer observing, just now questioning. The first question sounds like he is questioning something that doesnt fit in. The next question brings about a harsher image. The last question is the revelation into the speakers torment. In the sextet, where the issues are raised, they should be solved in the following octet. They are not. Frost poses three incontestible questions. The speaker seems reluctant to asks these questions and face them openl... ...ting there. It may be considered fate. The fate of the moth dress in the spider eating it. It was born to fly near that white unfold and feed the spider. There is also a third undercoat that could be addressed. Naturally, a white moth would be attracted to a white flower as camouflage from predators. The white spider would use the flower as concealment from prey. There is a formula at work but not a design of darkness. It is simply an order of nature. It can be attributed to survival of the fittest. The final verse however calls to doubt not just evidence of natural darkness but the entire epistomogical basis of the poem. Is there someone or something controlling us or are we so small that is doesnt really matter in the grand scheme of things. If design govern a thing so small questions the result and mode of the rest of the poem.