Saturday, March 30, 2019
Analysis William Blake Poem London
Analysis William Blake Poem LondonWilliam Blakes numbers, London, was written in 1792 and is a description of a order of magnitude in which the individuals atomic number 18 trapped, apply and infected. Blake starts the poem by describing the economic system and moves to its consequences of the selling of people at heart a locked system of development. One technique that is used is the repetition of a specific word to help speech pattern its meaning to the fullest extent. Blake uses the word charterd (1-2) in the first stanza to describe the street and river of Thames. The word gives the river and street a really legalistic feel as though they argon protected by laws and argon privately owned. Blake moves on to explain how the people get under ones skin visible attach (3-4) of weakness and woe which be like visible brands of sorrow and distress. In the second stanza Blake stresses the word every (5-7) five times. This word gives us the sense datum of commonality to every one suffering. It says that no one in London is immune to the exploitation and disease. This musical theme is driven home with the words mind-forgd manacles (8) which symbolize a family in chains imprisoned by ideology and status quo. It is realizable to assume that there is no deviance from the status quo as the stanza itself has no deviation from its strict iambic tetra measuring meter and A-B hoarfrost scheme. The strict adhesiveness to poetic meter in this stanza strongly contrast the irregular meter of the tertiary stanza.In the third stanza Blake lists out several social positions that are affected by the turmoil the Chimney-sweep, Church, and the Soldier. The job titles listed in the stanza are capitalized qualification them pronouns and personified. The chimney-sweeper is a figure of pity and industrialization because due to the ever increase amount of dirty chimneys blackening the entire city with soot. The Church is blackning (10), its nature is becoming more tarni shed as it is trying to ignore or glass over the brutal smoke belching economy that Blake is describing. The metaphor of the Soldiers none on the Palace Walls demonstrate not only a mistreatment of soldiers that to a fault a poor induceer of the country creating a at sea family. Evidence of this disjointness behind be found in the structure of the third stanza as it no longer adheres to a strict iambic tetrameter meter. We operate this disjointedness in poetic meter cut throughs into the final stanza where Blake uses the technique of enjambment to accent the Harlots curse(14) and Infants tear (15). It is today dark and the youthful Harlot does not have a chance to lover her baby because it is a result of trading and not love. She passes her own misery onto the child who will likely continue passing it onto future generations. She also passes on her disease to cheating husbands which communicate us to the potent phrase the Marriage hearse. (16) The marriage hearse is an oxymoron for the notion of a happy marriage being undermined by death and disease and make the marriage to become a funeral procession for love and freedom. Blakes poem is intentional to imply that vision is needed to lift London out of despair and a room from its economy driven exploitation.Allen Ginsbergs poem A Supermarket in atomic number 20 is a protest poem aimed towards postwar American society and focuses nearly on the consumerist aspects of society and the lack of connection between the forward-looking realism and nature. A Supermarket in California is written in prose form and does not adhere to any sort of traditional meter or rhyme scheme making it a shocking and saturninebeat poem that is authoritative to stand out which is what a protester would want. Ginsberg is quick to kick off the theme of consumerism by going shopping for images (2). In this case the images are not real as he is longing for society to open back to the state it was in pre-war during Whitm ans time. The supermarket in this line also introduces the idea of capitalist America where takings is mass produced to be the same and is not necessarily produced in the wild. The next few lines describe how families are now shopping at night rather than during the daytime. It can be implied that these families are perfect nuclear families and anyone who does not fit into the family structure stands out as being separate from society and considered unnatural . These individuals in this poem are Gracia Lorca, Walt Whitman, and the speaker himself Allen Ginsberg all of whom are homosexual and have mixed-up their invest in society. In this time era, the homosexual community is never intercommunicate almost and is not accepted by the norms of society as it whitethorn have been in Whitmans time. Ginsberg notes Whitman as a homosexual because he is set forth as childless, lonely, old grubber (4) and not as a husband. It is possible that Whitman is brought into the poem as a way of juxtaposing what Whitman described America to be in his poesy, and what America has become in Ginsbergs poetry. The lines who killed the pork chops? What price bananas? (5) pose questions of economics. In Whitmans day a consumer would know where the food came from, who killed it, and how it got its price. It is implied that Whitmans questions could not be answered by the the store employees. Ginsberg is saying that due to consumerism, we no longer know scarcely what we are grease ones palmsing and are therefore no longer attached to nature through the produce available at a supermarket. Ginsberg also uses Whitmans tasting spree through the store as a way of showing that in Whitmans day there was no capitalism that coerce you to always pay for your pleasures. There is a suggestion here that paying for ones pleasures is not natural. The line the doors close in an hour (8) shows that Ginsberg is beginning to detect that his vision of Whitmans vision of the natural world will not know as it cannot stand up to the modern economy were you can buy everything at a price. Their quest through solitary streets (10) past symbols that make up the lost America (11), which Whitman described in his poetry, will only lead them to the absolute darkness and loneliness in the current society. Ginsberg closes the poem by comparing the lost America (11) to Hades. Charon was the guardian of Hades who would ferry souls crossways the river Styx. Charon stopped short and let Whitman out on the smoking lingo (12) of Lethe. The river Lethe, according to Greed mythology, would cause forgetfulness to those who drank from it. One can surmise that Ginsberg is referring to modern society and how it forgets its past and the difference between what is natural and what is a crop of humans. This is what ties Ginsbergs protest against modern America together. The peach, the porkchops, the bananas in the supermarket no longer create a relationship between the consumer and the natural w orld from which the fruit originated.Allen Ginsbergs and William Blakes poems are both examples poetry designed to make a statement about how society has changed for the worse and that a better alternative needs to be found. Even though these pieces were written over sixty years ago, we can still find a way to relate to them today. The idea of society losing touch with nature as it is expressed in Grinsbergs poem A supermarket in Califoria, is still a concern with todays processed food, indoor fruit factories, and now even larger supermarkets. Unfortunately the impact of William Blakes poem has lost quite a bit of its shock value on todays society but we can still relate to the idea of mechanization with the advance robotic arms spread of incurable diseases. If we can feel the impact of the poetry now in 2011, imagine how much impact and shock value the pieces would have had on their audiences when they were first written.
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