SHALL WE DANCE ? LIFE AS A DANCE FLOOR? :: essays research papers

You expect a comedy to tickle your funny get up so you can walk out chuckling. Yes, Shall We Dance does raise laughs. provided - it also raises some interesting questions. The DVD says its A new-fashioned Comedy About Following Your Own Lead and a paronomasia like that is bound to appeal to the individualistic age we be say to be living in. It does indeed and yet, what is happiness and contentment? Is it a lovely, engaging and loved spouse and all the trappings of a comfortable settled march? Can there be a sense of tenderness in spite of having e verything? Is that then ingratitude? Should one be allowed to trace individual goals? At what cost? John (Richard Gere) and Beverly (Susan Sarandon) Clark are comfortably married. They ache two children, and he a good job as a lawyer. Yet, he is not happy. He fills the void in his life by impulsively shooting out of his commuter train station up the stairs of Miss Mitzis Dance School afterwards being captivated by Paulina (Jennifer Lopez) gazing out of the school window. A clumsy, shy, indisposed dancer at first, he taps a hidden place to his personality and blossoms into an accomplished ballroom dancer. All very well, except none of his family is aware of this chrysalis bursting open in this way. In roughly one mo and forty-five minutes, the film turns all expectations and predictability on their respective heads. With all the action building up towards the climactic Chicago Tattinger Trophy who could blame you for expecting a neatly wrapped package at that point Clark rewarded for his accomplishment, all revealed and settled? But - it is its aftermath that has much to say. Yes, there is dance as the spousal relationship ritual. Bobbie (Lisa Ann Walter), earthy, vivacious, loud, generous-hearted, is disappointed at Clarks treatment of Rumba, the dance of love. Paulina with her smouldering, controlled, Hispanic (stereotypical?) passion sets him straight. Yes, there is the hinted sexual attraction , even tension. But - there are also the bonds forged of friendship, camaraderie and candour. Life and people are wedded a direction by and through dance. John Clark is able to impersonate his life in perspective, while Paulina unearths a lost spirit to chamfer her dreams. Beverly, a romantic with her sense of romance probably buried infra the laundry, jackets at the apparel division where she works and the whims of two teenage children, is very understandably miffed but finds her feet again and how